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Larry Cohen’s Baltimore car crash image

In Photography by Chris FoleyLeave a Comment

I came across a photograph on Instagram today that got me thinking about how different people will see (and photograph) a similar scene in a very different way.

The image was taken by Larry Cohen, and is a simple photograph of a remarkable event, but for all its simplicity, check out how well-composed the image is.

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Hanging with the Pelican – A study in “working” the shot

In Creative Process, Photography, The Ambulant Photographer by Chris FoleyLeave a Comment

Stupid bird kept moving his head! There were a lot of variables to keep track of. There was heavy wind and the woman’s hair was blowing all over the place. Also, the pelican was moving its head all over the place and when a pelican is looking sideways, you have a shot. When a pelican is looking away or directly at you its narrow head disappears into its neck and you lose your shot.

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Our One Day in Kraków

In Photography, The Ambulant Photographer, Travel by Chris FoleyLeave a Comment

This is the 8th post in a series chronicling my photography project through Spain, France, Poland, & Czech Republic. I particularly fell in love with Kraków when I first visited the city in 2001, freshly engaged to Pausha and abroad for the first time in my life. Where the subject of Poland was concerned I was fascinated, and still am.

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11 Photography Lessons 2016 Taught Me

In Creative Process, Photography by Chris FoleyLeave a Comment

All in all 2016 was one hell of a year. As I do at the top of each year, I’m currently ruminating on what I’ve learned, where I’ve grown, and where my growth has maybe been stopped or slowed. I’m not a big fan of listicles, but I’ve got one here for you anyway. What started out as a list of 3 or 4 items that I have learned over the year quickly Tribbled into a list of 11 items. Let’s dig in.

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Always Work Your Shot

In Photography by Chris Foley2 Comments

“Working the Shot” is a pretty straightforward concept. It says that you you shouldn’t just run up to anything that catches your eye, photograph it and call it done. Instead, you should consider staying with whatever it was that caught your eye in the first place, and really explore that situation. Take multiple shots, move about the scene, explore a variety of angles and perspectives, allow something to unfold, and in short, fully document whatever it was that you observed and deemed worthy of committing to film, or memory card, or what have you.